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Reaktor lib5/2/2023 ![]() I have not used or have had access to MONARK during the making of Minimojo. Just to make it clear: The Minimojo is not in any way a copy of MONARK. Minimojo is the first attempt to use this theory in practice. The key is to find the right balance of the modulation depth for each frequency. Same with the frequency of the filter and the amplitude response of the amplifier all functions varying at all frequencies.Īnalog Legacy is the theory of modulating all functions in a synthesizer at all frequencies. Hearing a static sound becomes dull quite quickly but subtle or even subliminal changes becomes interesting and pleasing to listen to.Į.g the oscillators might vary in frequency and amplitude at high frequency adding more of a noise character but also variations at frequencies above and below the played note. These variations are very flattering to the brain as humans are very good at pattern recognition. However it's not the detuning and the drift, which is mainly a nuance and could easily be emulated by detuning the oscillators on purpose but instead, it's the microscopic variation in all parts of the circuitry that makes all aspect of the sound to continuously varying over time. Not only should waveforms be non perfect from a mathematical point of view they should also vary over time, just like a violin. by sample a single wav cycle but failed badly. People have tried to imitate analog synthesizers for decades e.g. Zero delay filters are much acclaimed recent years and offering the correct frequency response is important but it is still not a one way ticket to vintage weirdness. Just by adding some white noise is also not way to analog nirvana. Overdriving the filter gives a lot of character, specifically at higher resonance values, but it's not the only factor. It's important to understand that there are many factors behind that organic and raw sound and it's not equal to distortion. The reason to the raw power and organic feel is in my opinion the basic (or even poor) design and fairly low quality components (compared to today). Note that most but not all* on the list of favorite synths are first or second generation of synth with design made in the 70s. Minimoog, Jupiter 4, SEM, OBX, Odyssey, Roland System 100, Moog Modular III, CS80 comes in high but also Polymoog, Prophet 5 and Polivocs are held high and described as organic and raw. When asking synth aficionados about their favorite synths they describe them as having a specific raw power and organic feel. Hoenig's Seq Remix Part and Lazyfish's Env Follower, built by REMMER 9/2003Īdded pataPhys and five tracks with world perc samplesĮnsemble with Minimoog, Space Echo RE-201, Electric Mistress **D/L fixed** and authorising problem sorted…ooppsĮxpanded midi thru and got rid of stuck notes when changing channels.įixed a bug in lfo modulation(kept resetting) +midi thru and new groover control and step jump variation Tamed the VR's,so they don't give stuck notes and stop at next on step. ![]() I've added Scaler,harmonizer,tie s, switch seqs and finally managed to make a snapseq that works how i wanted.i've also done a read me explaining whats what.There are still areas that haven't been able to tamed and may result in the odd stuck note.įixes a problem when used as aplug in ,missing step 1,but i think i've fixed it Gate pattern generator & percussive sound module Using serveral macros from NI Reaktor 5 user libraryĪn experimental rhythm machine: useful to create pops, clicks, bells, & percussive type sounds. Don't forget the bypass switch which can be used in combination with wild self oscillation when Intensity is set high ![]() Driving the input level hard will saturate the pre-amp. This is not a proper stereo effect but uses only mono input (left channel) followed by mono processing and then output to both left and right output (mono in and stereo out).
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